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We’ve updated our Terms of Use. You can review the changes here.

Pluma de Piedra

by Jorge Reyes & Piet Jan Blauw

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windsong 04:41
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radio Marcos 04:11

about

Jorge Reyes & Piet Jan Blauw

Two spirits, one sound: making music that moves. Moving onwards, in the open, invisible fields. Moving towards their own souls. Creating his personal path into the pure and mystical depths of pre-hispanic richness, Mexican musician Reyes encounters Dutch sound-sculptor Blauw, who makes use of digital communication tools to pave the way for vulnerable, powerful and everlasting nudity. This joint-adventure erases virtual differences between the old and the new, between wholesome and evil, between outside and inside. Jorge Reyes and Piet Jan Blauw are evoking voices with a real story to tell. A story that matters.

credits

released January 1, 2003

Recorded and Mixed at studio “La Ventana”, Mexico D.F., 2000-2001
Recording engineers: Ignacio Acosta & Jose Luis Almedelda
Mixed by: Jose Luis Almeida, Jorge Reyes & Piet Jan Blauw
Produced, composed and performed by Jorge Reyes and Piet Jan Blauw
Cover design and photography: Piet Jan Blauw

Thanks to: Julio Revueltas (distant guitar), Ignio de la Cruz (RIP) Voice,
Nok Niuk (dancing for cover photos in Hannover 2000)
RickTreffers (text in Booklet), Carlos More (Cumbr Tajin),
Mercedes Iturbe ( Mexican Pavilon, Expo Hanover 2000)
Ariane Pellicer, Anna and Jimmy Metcalf, Pepe Navarro,
Subcommandander Marcos (for his speeches in the Maya jungle)
The anonymous Indigenous voices wa used as sound collages and samples.

Dedicated by Jorge to Ulla Kipp and his tree children:
Ridwan, Citialli and Erendira.
Dedicated by Piet Jan to his daughter Sanne and granddaughter blue.

www.youtube.com/watch?v=1cGBh_skzao

license

all rights reserved

tags

about

Indio Blanco aka Piet Jan Blauw Hoorn, Netherlands

Since the early 70s, Piet Jan Blauw started crafting and performing with interactive kinetic installations which became the foundation of his performances. These installations were quite substantial therefore the artist started to craft smaller sensorial sculptures and use them as instruments. He uses this signature technique until nowadays. ... more

contact / help

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